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Both Kangana and Arvind compliment each other well and their chemistry is electrifying. He had a very challenging role but he pulls it off effortlessly. In short, this is yet another award worthy performance from the National Award winning actor. As the heroine of the bygone era, she is completely convincing and even as a fiery political leader, she rocks the show. Kangana Ranaut lives the role and is fantastic to say the least. The funeral sequence of course is out of the world and even the pre-climax and climax contributes to the mass quotient. From Jaya exposing the corruption in the mid-day meal programme to Jaya wooing Prime Minister Indira Gandhi to her campaigning to the climax, A L Vijay keeps the film on a constant high. That finally happens in the second half and then there’s no looking back. However, one gets restless as one waits for her political journey to begin. Even here, the makers try their best to keep viewers engaged. But the film then focuses on Jaya’s film career. THALAIVII begins with a dramatic scene in the Assembly and sets the mood. Most viewers in North, Western and Eastern India are aware of her but may not be interested to see her biopic. Lastly, the Hindi version has a major challenge since the film is about a politician down South. Why didn’t Jaya inform MJR that her meeting with Indira Gandhi has been successful? Was it a way to extract revenge or something else is again something that can confuse audiences. This flaw is seen in the second half as well. For instance, the scene where MJR is shot by a disgruntled film producer is quickly wrapped up and viewers will have difficulty in understanding what exactly happened. A few sequences will leave audiences bewildered. The scenes are recklessly edited as if to hurriedly reduce the runtime. On the flipside, he is not in top form in the first half. Special mention here should be made of the funeral sequence of MGR. In the second half, he takes the film to another level. He defines the characters very well from the very beginning and has peppered the film with some well executed dramatic sequences. The film is executed in such a way that it is easy to understand for all sections of the audiences.
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The dialogue writer is known for some smart, whistle-worthy lines and he lives up to the expectations.Ī L Vijay's direction is very simplistic and massy. Also, the focus at this hour is mostly on Jaya’s film journey. However, the first half is not as powerful. There are a lot of dramatic moments in the film and the writers have penned them very well to bring out the desired impact. Vijayendra Prasad and Rajat Arora's screenplay is captivating. It is not possible to show all major episodes and hence the writer has handpicked and chosen the best aspects of her life.
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Vijayendra Prasad's story is excellent and does total justice to J Jayalalithaa’s journey from being a film star to being a Chief Minister. THALAIVII is based on the book 'Thalaivi' by Ajayan Bala. What happens next forms the rest of the film. Jaya declines but while going back to Chennai, an incident leaves a deep influence on her. This time, MJR invites her to join his party. One such show offered to her is a government sponsored one in Madurai. Jaya is not getting many films due to her age. MJR has become the Chief Minister for the second time. Veerappan advises MJR that he should stay away from Jaya before it causes problems for him in his political career. He decides to float his own political party. Both have a showdown after which MJR quits DMK. Also, he is more popular and that doesn’t go down well with Karunanidhi. MJR sadly is not able to attend party meetings. Karunanidhi wins the state elections by a record margin and one of the reasons is that MJR campaigned for him. A few years later, MJR enters politics and joins DMK, headed by Karunanidhi (Nassar). Veerappan believes that MJR’s fondness for Jaya can spell doom for the superstar. They emerge as one of the most popular jodis, much to the annoyance of R M Veerappan (Raj Arjun), MJR’s PA. Both end up working in many films together. She, meanwhile, falls for his good-hearted nature. MJR loves Jaya’s attitude and her fearless persona.
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In no time, Jaya gets a chance to star opposite MJR (Arvind Swamy), one of the biggest superstars of Tamil cinema. She has been coaxed into joining the profession by her mother (Bhagyashree) so that they can have a steady means of income. Jayalalithaa aka Jaya (Kangana Ranaut) is an upcoming actress in Tamil cinema. THALAIVII is the story of a girl’s journey from being a prominent heroine to a prominent political figure.